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Why bad movies are good for fans of actor
Hey ! Hope you like my blog ! Leave a comment if you wish :)
Ok, let the generalized title not misguide you. This post is about Kajol and U me aur hum by a fan and I will not pretend otherwise.
Reading reviews of movies that contain Kajol is always rewarding irrespective of whether it is a postive review for a movie or a negative. Especially (bad) movies like Fanaa and U Me Aur Hum are real treats !
Because a positive review for movies like these is always surprising and though personally smirk invoking, I like the feeling of a positive review or long run of the movie for obvious reasons. Secondly because these movies generated lot of noise and created lot of hype and attention – and none,beware, was just for the presence of the actress – finally it is Kajol who gets credit and attention ! (Even all her initial movies attracted attention not because of her presence but due to others, and then she is used to have the last laugh, bowling over and shadowing others at the end.) Positive reviews also dont fail to mention how Kajol adds/contributes to it.
When there are negative reviews, it is even more happiness-inducing because when there is so much dark and disappointing stuff around, the brilliance of Kajol comes across easily and gets highlighted. Of course, there is quite something for a fan to munch on! And it is such a joy when someone newly becomes a fan!
Let me link to few reviews:
Was very surprised to see such positive take by B Rangan ( my views are usually a scaled down version of his views – if he, say rates, 100, I rate 20..if he rates -100, I rate -60 ) ..but this one is opposite on sign itself. The only thing I probably agree with him is the nod to the presence of song “Saiyyan..”.
This is a review thoroughly enjoyed. I see eye to eye with him on various factors like about the nonsense friends, about the futile suspense attempt of child drowning and agree with almost every word of what he says. Only sad feeling is, he hasn’t any praising words about Kajol.
More links:
Kajol has done the best she can to get us involved with her situation despite the lack of depth writer, Ajay Devgan, etches out for her. Though she does get to her shrill self every once in a while. But I’m still miffed by the short hand she has been dealt.
On the other hand, Kajol is brilliant. I didn’t quite realize that she was this fabulous. Even when she is lost, or screeching, or struggling to remember the smallest of things – you don’t cringe. But there are other parts of this film that are very cringe-worthy.
[...]
There are a few tense moments in the film. Kajol rules them all. Ajay Devgan is a mere prop in this film.
Kajol is the show-stealer; the film completely belongs to her! Even in the presence of Ajay, Kajol steals the limelight and has the better role, which gives her ample scope to perform. A performance that is sure to be recognized at the awards! – Bollyspice
Kajol, well, what can you say of an actress who has proved herself time and again? That she’s undoubtedly the best has been proved yet again. – Indiafm
Kajol delivers an excellent performance. She is pretty restrained in her performance when Alzhimer’s takes over her. Any actor of a lesser calibre could have gone over the top. Thanks to Kajol it does not become U Me aur Ham! – Passion for cinema
Kajol is magical,[...] – The times
Get this.Whenever Kajol acts, she kills the competition. Of the current lot, no one quite compares. No one can hold a close-up like she does or leap straight out of the screen to involve you in her pleasure and pain. She’s a natural and that quality is mined constantly by first time director Ajay Devgan in U Me aur Hum. – Khalid Mohammed
Aargh…
Some posts are repeated ..This has resulted after WP upgrade. Actually it is the side-effect of a hack I had done earlier to achieve something else. Now I am not able to figure out what… It was a plugin if I remember correctly, but can’t see it now (but its effects are there)…
Also, hope you don’t mind about the two captcha stuff, which might be little irritating and intruding, but it has reduced the spam little.
The twitter updates started behaving erratically (again possible due to some change I made which did not result as I had wanted), so is disabled now ..Also wanted to exclude the username posts in twitter from appearing on blog, once that is achieved, it should be back.
Mungaru Male
Yes, its more than 100 days since the release and almost everything that had to be said about the movie must have been said. But should that be a reason to stop me from writing on my blog ? ( After all its my blog and there are few regular readers, who too will skip through this, so why bother ? ).
First of all the movie is near to me for it invoked DDLJ feelings. I can not clearly mention what it was, but that DDLJ magic was the prime reason that I kept going back to the movie. (Even though the movie was already a hit by the time I had watched it, for me it did not matter – one I was far away in Chennai not being aware of various talks about the movie second I kept myself from reading anything related to it, so it was still fine. Also I am very clear of not taking any prejudices with me to watch a movie). By DDLJ, I do not remark about the striking similarity – almost a love at first sight, girl being wary of the boy initially, girl starting liking the boy, boy showing his good-boy image to girl’s parents while preparations for girl’s wedding is going on, boy re-affirming girl that he would carry her away, entry of the bride-groom and that scene where hero takes heroine’s father on a walk – I could almost see a SRK-Amrish Puri in white dhotis trying to feed nuts to kabootars. The similarities might not be striking for others but it was for me. And due to all this, I had thought I know how this is going to end. At one point I thought the rabbit was there to do some sort of magic like the dog in HAHK. Hero’s father is left out after first few scenes (I had expected him to return like Anupam Kher in DDLJ). 1 I kept waiting for the hero to impress the girl’s parents and to take her away. And at first I was disappointed it did not happen. I do not know whether it was a conscious deviation and I do not see anything against that climax too (I mean I believe even that would have worked out in the box office but since now people have seen this version they claim this is the biggest factor for the success). On the second thoughts, I like this climax too though the cine-freak in me was expecting yet another climax – that of him jumping off the cliff. One is a decisive happy ending, other a decisive sad ending and one more indecisive one where people are free to attach their own philosophical meaning – and that is the one which has worked !
Before I get into my commentary2 let me say movie works for me.
Flow:
At the first look, nothing (nothing dramatic, actually) actually happens in the movie for the most part. Just like DDLJ. We see them romancing but nothing looks like progressing on that front. No other event like the “turning point in cricket” happens so that we can expect this is how it is going to proceed. There is no drama. Contrast this with eg Nenapirali and you probably get what I mean. Yet, this movie works. Just like DDLJ did. Only one reason can be attributed to it is the consistent flow and the narration.
Songs and lyrics : I had listened to songs many times before I saw the movie. The lyrics as everyone knows by now are just excellent. I was in awe after listening to the words but once I knew it was from a poet – Kaykini – my surprise ceased. He has affirmed one of my beliefs that “rhyme” is not “the most” or “the only” thing that makes songs good. I have seen some go out to create rhyme but somehow trading the simplicity of the meaning in the process. In this case, the meaning and simplicity was given the most importance and how! Set to brilliant music by Mano Murthy, the songs of this movie have been the propulsion for the success. I say, propulsion, because however good they were, they only got the people into theaters and later made them relive the movie by listening to songs but that should not take away any credit from what happened in between. Some observations – in one of the songs, there is “saavinallu naguvuda balla” which made me assume that hero would die andit would turn to be a tragedy. I was prepared to see the hero die and in part this spoiled a little of my experience – the actual tragedy is on a different level to his death, second since I was expecting that to happen every other time and anytime. The lyrics should have actually read “novinallu naguvuda balla”. And “anisutide yeko indu neenene nannavalendu..mayada lokadinda nanagage bandavalendu” immediately reminded me of “kabhie kabhie mere dil mein khayal aata hai ..ki aise tujhko banaya gaya hai mere liye..sitaron mein bas rahi thi kahi..zamein pe aye ho mere liye”. I am not saying its copied or even inspired but I strongly feel this might be an intentional tribute to that song which is anyone’s favourite ! Two more ingredients to songs that get a kudos are picturisation and choreography. Talking of choreography I didn’t quite expect “punjabi” set-up for “suvvi suvvali” song.
Picturisation:
When it comes to picturisation, there is no two ways about it. Its just as excellent as it could get. With the backdrop of rain, scenic beauty looks almost competing with the colourful costumes people have worn.
Performances and dialogues :
‘Comedy time Ganesh’, the household name it is by now, is one single element without whom it is difficult to think about the movie. True, all departments have shown results but its on Ganesh’s shoulders the screen magic had lied entirely. And how he manages ! With his next-door-boy looks, with his honest acting, that ever present smile which alone must have won him all female fans and most importantly, for me – dialogue delivery skills with good timing. He has the qualities that make a good hero though it would be interesting to see him in a real sorrow role. Heroine Sanjana Gandhi was effective in few scenes and complimented well in others. Though, an extra-ordinary performance was not expected by that role anyways. The supporting cast were not bad too -Anant Nag donning an important role – gave a natural performance. The dialogues were quite refreshing – they were bereft of cliches or used analogies. In fact that drunken dialogue -”tale na kerdu, gaya aagi cancer etc” was very unexpected!!3 But some jokes – like the one he uses to lighten her mood – did not work for me.
And for the sake of completion
Preetham is a kiddo with no near future goal. He falls in love with Nandini at the first sight. He decides to search for her. Accidentally they keep coming across each other. When he finds her he shares his feelings for her. But she refuses. He warns her if he finds her next time then he will marry her. He feels disturbed when he comes to know she is getting married. He decides to go away from her. If that was the case the movie would have said to end, but it doesn’t! Must watch movie.
That was an extract from my bro - who has been too happy for the number of comments and hits his posts on this movie are attracting.
This post is already so long and I haven’t even started to talk about how the climax does make sense and how I realized it even better after I saw almost a replica of these events unfold in front of my eyes. I haven’t even talked about the romance/love part of the story – after all it was “hani hani prem kahani” – how their “falling in love” , expressions were different and different feelings/attitudes of hero, the villain, the girl and I haven’t also commented how sudden & illogical for the girl to get carried away at the end – she should have tried to know the truth and how better it would have been if she was made a conscious partner in the decision rather than making her a scapegoat and making her take the result not understanding the whole picture/point. I just made a mention to say that I do see “the movie” not just the “its ingredients, making and execution”.
And finally kudos to the director who has managed to put together good pieces of work into one great piece of work.
- You need not tell me I am too much into DDLJ, I know it [back]
- yes thats what I would call my reviews from now on, as “commentary” makes more sense than “reviews”. [back]
- Though this talking matters of heart only after getting drunk has been used quite a lot of times in movies like HDDCS, DTPH. I can’t help thinking – Help of liquor is taken even to start telling and when one doesn’t get the girl, he again drinks – Whats with lovers and drinks ?! [back]
Posted in Kannada, Movie Reviews, Movie talk
Tagged Kannada, Links, Movie Reviews, Movie talk
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